This past spring CSSC had the pleasure of hosting UC Berkeley professor Eric Stanley for their talk, “Becoming Ungovernable: Trans Life Against the State,” and conversation with Dr. Jemma DeCristo.
While surveillance technologies proliferate, Tourmaline’s 2017 film “The Personal Things” explores Miss Major’s escape from the lockdown of state recognition. Along with Major’s theorization, this paper thinks with the double bind of trans/queer youth of color that the state deems “ungovernable”. This structuring antagonism might find these young people captured by the totalizing violence that is youth jail, while it also names a tactic of getting free. Following them, it is the collectivizing of these practices that grows an alternative to democracy and its mandates of legibility. These commitments to an errant life—gender fugitives on the run from classical recognition by way of provoking an encounter with unintelligibility—illustrates the fierce strategies necessary for becoming, as Denise Ferreira da Silva suggests, a “nobody against the state.”
Eric A. Stanley is an assistant professor in the Department of Gender and Women’s Studies at the University of California, Berkeley. They are the author of Atmospheres of Violence: Structuring Antagonism and the Trans/Queer Ungovernable (forthcoming Duke UP) and the coeditor of Trap Door: Trans Cultural Production and the Politics of Visibility and Captive Genders: Trans Embodiment and the Prison Industrial Complex
Jemma DeCristo is an assistant professor in American Studies at University of California, Davis. Her current book project, Blackness and the Writing of Sound in Modernity, tracks and imagines a legacy of black sonic experimentation, in artists ranging from Bessie Smith to Roscoe Mitchell, that emerges out of black music’s refusal and dissemblance of technological modernity’s legacies of embodiment and capture
This past Spring CSSC had the pleasure of hosting Ramzi Fawaz’s talk, Queer Love on Barbary Lane: The Sexual Politics of Serial Gay Fiction in Armistead Maupin’s Tales of the City.
If you would like to watch a recording of the talk, please email email@example.com.
Below is a description of the talk:
In this talk, I analyze the content and reading experience of Armistead Maupin’s Tales of the City, the most popular serialized gay fiction of the 1970s, which appeared in daily installments in the San Francisco Chronicle between 1976-1983. I argue that the serialized rhythm of the narrative—which followed the social and sexual misadventures of a cadre of queer friends in San Francisco’s Nob Hill neighborhood—modeled gay liberation’s conception of “coming out of the closet” about one’s sexuality as a process that unfolds over time through repeated encounters with new erotic possibilities. I draw upon interviews I conducted with actual San Francisco readers of Maupin’s original text alongside close analysis of the rhetorical and literary modes of address that Maupin deployed to make “coming out” a widely accessible form for articulating one’s sexual and social desires, regardless of one’s specific sexual identity. I show the story’s unfolding narrative about 1970s queer social life and the actual experience of reading it daily alongside other San Francisco residents helped disseminate the radical sexual politics of gay liberation to both gay and straight audiences alike.
Ramzi Fawaz is associate professor of English at the University of Wisconsin, Madison. He is the author of The New Mutants: Superheroes and the Radical Imagination of American Comics (NYU Press, 2016). His work has been published in numerous journals including American Literature, GLQ, Feminist Studies, Callaloo, and PMLA. With Darieck Scott he co-edited a special issue of American Literature titled “Queer About Comics,” which won the 2019 best special issue of the year award from the Council of Editors of Learned Journals. His new book Queer Forms explores the aesthetic and imaginative influence that movements for women’s and gay liberation had on U.S.-American popular culture in the 1970s and after. Queer Forms will be published by NYU Press.
This talk is co-sponsored by the departments of African American & African Diaspora Studies and Comparative Literature
Rojas is a gender nonconforming, formerly imprisoned, survivor of violence. They organized against gender discrimination while serving a 15-year sentence at CCWF in California. They now organize with the Young Women’s Freedom Center, California Coalition for Women Prisoners, and #MeTooBehindBars, a campaign to end gender-based and sexual violence inside all women’s prisons in California.
Alisa Bierria is an assistant professor of African American Studies in the Department of Ethnic Studies at the University of California, Riverside. She is also a co-founder of Survived & Punished, a national organization that challenges the criminalization of survivors of domestic and sexual violence. Cosponsored by the Department of Gender and Women’s Studies
From April 12-14, 2018, the Center for the Study of Sexual Culture hosted a conference titled “Ev’ry Body This Time,” which featured invited guest speakers like Qwo-li Driskill, Nayan Shah, Tracy Lee Bear, and others, as well as panels and workshops which sought to collaboratively imagine the future, answering the conference’s ultimate call: What future do “we” want looking forward from where we stand?
This call and challenge was of course reflected on the conference’s title itself. The elision in “ev’ry” gestures in multiple ways: to the bodies that have been exempted in various iterations of sexuality studies, and to our quixotic desire to (re-)emplace them. It refers as well to the shifting and ever-proliferating fact of bodies: the way that apparent gaps may not represent incompleteness, but point instead to troubled standards of perceiving or evaluating wholeness; that filling a gap can thus provisionally flesh out bodies that are at once legible and illegible. Race and gender, in their mutable complexities, sit at the core of these questions. Our apostrophe calls to a multitude of bodies, recognizing the potential for thinking through, substituting, re-visioning, and, ultimately, holding space for, bodies that exceed categorical legislation and rhetorical disciplinarity. We also note that embodiment is not everyone’s cup of tea. We flag the body, ev’ry body, because sensuousness has too often been left out of considerations of sexuality and politics. Simultaneously, we wonder how given languages about sex and meaning work in relation to disability, debility; in the realm of the digital; under the aegis of asexuality? “This time” means both that we view this as a conference that belongs to a history of academic conferences in queer studies and that we view this as a conference that happened in a perilous present moment. How is the critical study of sexuality evolving and in response to what imperatives? What is the relation of this time to other times (and places) and how are the particular urgencies of this time tied to other moments? Is the critical study of sexuality always explicitly about sexuality, now?
The speakers, panelists, and guests took on this invitation to think critically through an array of topics and issues, ranging from notions of embodiment and pleasure to issues of temporality and spatiality. Scroll through for videos and photos of the conference!
The CSSC is pleased to launch its brand new website! After a hiatus, the Center has been reopened under new Director Mel Chen, Associate Professor of Gender & Women’s Studies. The Fall 2013—Spring 2014 year was spent largely reorganizing and rebuilding the Center’s programs, and this upcoming Fall 2014—Spring 2015 year will offer a full schedule of CSSC-sponsored events, including our monthly Speaker Series, co-sponsorships of a variety of conferences, symposia, and screenings, and meetings of the CSSC-sponsored Queer of Color Working Group. Check our Events page for an up-to-date calendar. Special thanks to our web designers Stefan Gutermuth and Colin Frangos, and to Toronto artist Elisha Lim, who provided the illustrations.