Welcome

The Center for the Study of Sexual Culture was founded in 2001 to support research and critical conversations concerning sexuality, sexual culture, and their mutually determining relationship to institutions, social practices and norms, and modes of representation. We understand sexuality to essentially inform diverse fields of social life, such as the state, the economy, civil society, family forms, social identity, and the cultural modes of representation. We draw from a broad field of scholarship in which sexuality is found to participate in discussions as far-reaching as: reproductive control and rights, heredity, marriage, nationalism, welfare systems, property, adoption, animal ethnographies, colonial imaginaries and administrations, performance, language norms, gendered ways and styles, disability politics and culture, visual cultures, materialities, and more.

UPCOMING EVENTS

Networked Boredom: On the Desire for Connection

This talk addresses the ordinariness of a basic fact of much contemporary life: the compulsory (if not compulsive), ubiquitous, and permanent availability of and on the network. My central case is a set of social practices practices in and around gay hookup or sex sites and apps, most especially Grindr. Taking a phenomenological approach and thinking with, by turns, film theory, media theory, affect theory, queer theory, and psychoanalytical object relations theory, I describe the common practices of “looking around” and waiting for messages from unspecified others. Grindr and its relatives are paradigmatic not only because they offer interfaces to the Internet as an infrastructural network, but also offer “connection” as an organizing metaphor for sexual (or polymorphously other) encounters between men. These networks specify genres of both the abstractness of boredom and the impersonality of desire—as enabling conditions for connection, but also as forms of mitigating the risk and exposure that are endemic to encounter and desire. Such risk management—anonymity, impersonality—is nothing new to gay or MSM sexual practices and cultures. The novelty here lies in the details: the technical interface and its design, the temporality of always-on availability, and the abstracted elsewhere-embodiment of the terminal. Grindr dramatizes that, increasingly, the impersonality of desire is yoked to the impersonality of technical protocol. Its abstracted and networked waiting-for-connection indexes a shift both in our capacity for aloneness and our capacity for being-with-others. The network engenders novel forms of boredom, in which our desire is organized not by anything in particular, but rather the network’s own metaphor for encountering, mere “connection.”

Scott C. Richmond is Assistant Professor of Film and Media Studies in the Department of English at Wayne State University, where his teaching and research focus on avant-garde cinema and experimental media, film theory and media theory, and phenomenology and critical theory. His work has appeared, among other places, in World PictureDiscourseCinema Journal, and the Journal of Visual Culture. He is co-editor, with Elizabeth Reich, of a special issue of Film Criticism entitled “New Approaches to Cinematic Identification.” His first book, Resonant Perception: Cinema, Phenomenology, Illusion, is forthcoming in fall 2016 from the University of Minnesota Press.
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This event is co-sponsored by the Berkeley Film & Media Seminar, the Center for the Study of Sexual Culture, The Berkeley Center for New Media, and the New Media Working Group.